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	<title>Comments on: Tuesday Tip: Don&#8217;t Make Your Character a Victim</title>
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	<description>With daily writing exercises, tips and techniques, and thoughts on the writing life, Writerly Life is for the writer in all of us.</description>
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		<title>By: Margaret Fieland</title>
		<link>http://www.writerlylife.com/2012/10/tuesday-tip-dont-make-your-character-a-victim/comment-page-1/#comment-12293</link>
		<dc:creator>Margaret Fieland</dc:creator>
		<pubDate>Thu, 18 Oct 2012 20:17:27 +0000</pubDate>
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		<description><![CDATA[The cascading catastrophes remind me of the series of ads on television about getting, I believe, satellite (or is it dish?).]]></description>
		<content:encoded><![CDATA[<p>The cascading catastrophes remind me of the series of ads on television about getting, I believe, satellite (or is it dish?).</p>
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		<title>By: mary brady</title>
		<link>http://www.writerlylife.com/2012/10/tuesday-tip-dont-make-your-character-a-victim/comment-page-1/#comment-12193</link>
		<dc:creator>mary brady</dc:creator>
		<pubDate>Wed, 17 Oct 2012 05:08:26 +0000</pubDate>
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		<description><![CDATA[I agree with Laura. Aren&#039;t all stories some sort of variant on The Hero&#039;s Journey? The key word here is &#039;hero&#039;--or &#039;heroine.&#039; No one wants to read about a total sad sack, someone who simply attracts bad luck to no particular end.
(And Wally Lamb is unreadable. It&#039;s a fact!)

The lead character must be hassled endlessly, of course, but it is the victory over such hassles that keeps a reader interested. A lead could start out as a wimp, but at some point must grow a backbone--&amp; fight back Against The Odds!

Post-modern fiction, as I understand it, is not concerned much with storyline, so perhaps wimps &amp; sad sacks &amp; folks with bad karma may find a place in that genre.

 What is &#039;meta-fiction,&#039; BLH? Thanks for any info.

L&amp;K, MaryB]]></description>
		<content:encoded><![CDATA[<p>I agree with Laura. Aren&#8217;t all stories some sort of variant on The Hero&#8217;s Journey? The key word here is &#8216;hero&#8217;&#8211;or &#8216;heroine.&#8217; No one wants to read about a total sad sack, someone who simply attracts bad luck to no particular end.<br />
(And Wally Lamb is unreadable. It&#8217;s a fact!)</p>
<p>The lead character must be hassled endlessly, of course, but it is the victory over such hassles that keeps a reader interested. A lead could start out as a wimp, but at some point must grow a backbone&#8211;&amp; fight back Against The Odds!</p>
<p>Post-modern fiction, as I understand it, is not concerned much with storyline, so perhaps wimps &amp; sad sacks &amp; folks with bad karma may find a place in that genre.</p>
<p> What is &#8216;meta-fiction,&#8217; BLH? Thanks for any info.</p>
<p>L&amp;K, MaryB</p>
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		<title>By: Laura</title>
		<link>http://www.writerlylife.com/2012/10/tuesday-tip-dont-make-your-character-a-victim/comment-page-1/#comment-12176</link>
		<dc:creator>Laura</dc:creator>
		<pubDate>Tue, 16 Oct 2012 17:42:05 +0000</pubDate>
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		<description><![CDATA[I totally agree! I think the most popular book I ever read that had me rolling my eyes by the end for this very reason was &quot;I Know This Much is True&quot; by Wally Lamb. The character had so many unrelated bad things happen that it just didn&#039;t ring true and for me, I didn&#039;t even feel sorry for the character after awhile. Bad circumstances are a must, but an author would be wise to make those bad circumstances connect and let the character react. So, a car accident that leads to a devastating injury that leads to a relationship break-up and huge hospital bills plus a loss of job, etc, is far more believable than your family dying in a tornado, then getting into a car accident, then your girlfriend dying of smallpox. When everything feels tough, it&#039;s often connected in one way or another, even if it touches various areas of one&#039;s life.]]></description>
		<content:encoded><![CDATA[<p>I totally agree! I think the most popular book I ever read that had me rolling my eyes by the end for this very reason was &#8220;I Know This Much is True&#8221; by Wally Lamb. The character had so many unrelated bad things happen that it just didn&#8217;t ring true and for me, I didn&#8217;t even feel sorry for the character after awhile. Bad circumstances are a must, but an author would be wise to make those bad circumstances connect and let the character react. So, a car accident that leads to a devastating injury that leads to a relationship break-up and huge hospital bills plus a loss of job, etc, is far more believable than your family dying in a tornado, then getting into a car accident, then your girlfriend dying of smallpox. When everything feels tough, it&#8217;s often connected in one way or another, even if it touches various areas of one&#8217;s life.</p>
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